(a) | C, B, F♯, D♭ | Major, Major Arpeggios, Chromatic |
C, B, F♯, D♭ | Major Scales in thirds, tongued only | |
C, B, F♯, D♭ | Dominant Seventh Arpeggios, tongued only | |
C, B, F♯, D♭ | Harmonic Minor, Melodic Minor, Minor Arpeggios | |
C, B, F♯, D♭ | Diminished Seventh Arpeggios, tongued only, beginning on the note | |
C | Whole Tone Scale, tongued only, beginning on the note | |
(b) | C, B, F♯, D♭ | Major, Major Arpeggios, Chromatic |
C, B, F♯, D♭ | Major Scales in thirds, tongued only | |
C, B, F♯, D♭ | Dominant Seventh Arpeggios, tongued only | |
A, G♯, E♭, B♭ | Harmonic Minor, Melodic Minor, Minor Arpeggios | |
A, G♯, E♭, B♭ | Diminished Seventh Arpeggios, tongued only, beginning on the note | |
C | Whole Tone Scale, tongued only, beginning on the note | |
Double Tonguing | A major, 2 octaves (ascending and descending). 2 semi-quavers on each note | |
Sustained note | Any one note of the A♭ major scale held for 14 - 16 seconds: pp < ff > pp) | |
Sustained scale | Major scales, one octave (upper octave) ascending and descending. Each note equals two beats (tongued only). Breathe every 8 beats or 4 notes. | |
All scales and arpeggios one or two octaves within the required range, ascending and descending. All scales and arpeggios to be played: all tongued /all slurred/slurred pairs/ two slurred, two tongued Major scales in thirds: tongued only | ||
Range - | Inclusive as shown: | |
Tempo - | ascending and descending minimum metronome speed 76, four notes per beat Sustained scale 60, one note per two beats - breathe every 8 beats or 4 notes |
List A | ||
Etude IV No 86 | Clarke's Technical Studies for the Cornet (Fischer) | |
Etude IXA No 185 | Clarke's Technical Studies for the Cornet (Fischer) | |
Etude V No 117 | Clarke's Technical Studies for the Cornet (Fischer) | |
Etude VI No 132 | Clarke's Technical Studies for the Cornet (Fischer) | |
Etude VII No 170 | Clarke's Technical Studies for the Cornet (Fischer) | |
Etude VIII No 177 | Clarke's Technical Studies for the Cornet (Fischer) | |
No 2 Pg 286 (in Boosey & Hawkes Pg 194) | Arban Method (Fischer) (Boosey & Hawkes) | |
No 5 Pg 289 (in Boosey & Hawkes Pg 197) | Arban Method (Fischer) (Boosey & Hawkes) | |
No 13 Pg 297 (in Boosey & Hawkes Pg 205) | Arban Method (Fischer) (Boosey & Hawkes) | |
Bourgeois, D | No. 3 Presto | Fantasy Pieces for Trumpet Brass Wind |
Hudson, Rob | No.28 30 | Modern Studies for Trumpet Universal 21316/MDS |
Miller,John | No 18, 19, 20, 21, 22, 23, or 24 | Progressive Studies for trumpet (Faber) |
Vizzutti | Flamenco or Sacrificial Dance | 20 Dances for Trumpet De Haske |
List B | ||
Boyce | Trumpet Voluntary | Old English Trumpet Tunes, Bk 1 OUP |
Fantini | Sonata detta del Niccolini | The Baroque Trumpet arr Miller Faber |
Hansen | 3rd mvt from Sonata for Cornet and Piano, Op 18 | Hansen WH13213/Music Sales |
Hummel | 2nd mvt from Trumpet Concerto (either Bb or Eb editions) | |
Purcell, H | Trumpet Tune in D | arr Alain (Billaudot) |
Saint-Saen | Softly Awakes My Heart | arr. Sparke Studio M 050 034346 |
Torelli, G | Sinfonia in D (G.3) | arr Tarr (Musica Rara) |
Torelli, G | Sinfonia in D (G.4) | arr Tarr (Musica Rara) |
List C | ||
Bailey, K | A Wily Bossa & Stokers Siding | Jazz Incorporated (Bailey Music Sales) |
Bizet | Overture from Carmen Suite arr Calland for Trumpet & Piano | Stainer & BellH454 |
Charlier, T | Solo de Concours | (Schott) |
Gershwin | Prelude No.1, or No.2 | Gershwin 3 Preludes arr Kearns Stainer&Bell |
Hartmann | Weiderkehr | Wright & Round |
Jobim, A.C. | The Girl from Ipanema, No 7 | Play Latin for Trumpet arr Gout&Farley Faber |
Muldowney | Two-Tone Tattoo | Unbeaten Tracks Faber 0571 520057 |
Shostakovich | Prelude No 18 | Russian Roulette Brass Wind 3110 |
Takacs, J | Sonata breve Op 67 | (Doblinger) |
Wilson | A Blues Boulevard | Bebop to Rock, arr J Wilson Spartan Press |